\u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131\u00a0Donald Margulies\u2019in yazd\u0131\u011f\u0131,\u00a0Irmak Bah\u00e7eci\u2019nin \u00e7evirdi\u011fi,\u00a0Mehmet Ergen\u2019in y\u00f6netti\u011fi “\u00d6ylece Durur Zaman” oyununu seyirciyle bulu\u015fturuyor<\/p>\n
Sava\u015f muhabirli\u011fi yapan bir \u00e7iftin, Irak\u2019taki travmatik deneyimlerinin ard\u0131ndan Brooklyn\u2019deki evlerinde hayata tutunma \u00e7abalar\u0131n\u0131 ve de\u011fi\u015fen medya d\u00fczenini \u00e7arp\u0131c\u0131 bir dille ele alan “\u00d6ylece Durur Zaman”, 10 Aral\u0131k 2025 tarihinde M\u00fcze Gazhane Prof. Dr. Sevda \u015eener Sahnesi\u2019nde ilk g\u00f6sterimini yap\u0131yor.<\/p>\n
Oyunun Konusu:<\/p>\n
Sarah 40\u2019l\u0131 ya\u015flar\u0131n\u0131n ba\u015f\u0131nda bir bas\u0131n foto\u011fraf\u00e7\u0131s\u0131d\u0131r, uzun y\u0131llar ba\u015fta Ortado\u011fu olmak \u00fczere pek \u00e7ok sava\u015f b\u00f6lgesinde \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Sarah Irak\u2019ta bulundu\u011fu s\u0131rada \u00e7ok yak\u0131n\u0131nda patlayan bir bomba sonucu yaralanm\u0131\u015f, k\u0131sa bir tedavinin ard\u0131ndan \u00fclkesine d\u00f6nm\u00fc\u015ft\u00fcr. \u015eimdi uzun zamand\u0131r ayr\u0131 kald\u0131\u011f\u0131 evinde erkek arkada\u015f\u0131 James ile beraberdir. Her \u015feyin yolundaym\u0131\u015f gibi devam etti\u011fi birka\u00e7 g\u00fcn\u00fcn sonunda \u00e7iftin g\u00f6rmezden gelmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 sorunlar g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kmaya, ili\u015fkilerini bi\u00e7imlendirmeye ba\u015flar.<\/p>\n
Oyun, Pulitzer \u00f6d\u00fcll\u00fc yazar Donald Marguiles taraf\u0131ndan kaleme al\u0131nm\u0131\u015ft\u0131r. Oyunda, \u00e7evresindeki geli\u015fmelere duyars\u0131z bir topluma ele\u015ftirinin yan\u0131 s\u0131ra bireylerin i\u00e7 hesapla\u015fmalar\u0131 da taze tutulmakta, pek \u00e7ok konuda seyircinin de kendini sorgulamas\u0131 sa\u011flanmaktad\u0131r.<\/p>\n
Oyunda Foto\u011fraf\u00e7\u0131n\u0131n Objektifinin Ard\u0131ndaki So\u011fukkanl\u0131l\u0131k ile \u0130nsani M\u00fcdahale Arzusu Aras\u0131ndaki \u00c7at\u0131\u015fma Sahneye Ta\u015f\u0131n\u0131yor<\/p>\n
Oyunun y\u00f6netmeni Mehmet Ergen \u201c\u00d6ylece Durur Zaman”\u0131 \u015f\u00f6yle anlat\u0131yor:<\/p>\n
\u201cSava\u015f foto\u011fraf\u00e7\u0131s\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 ikilem \u00fczerine kurulu bir oyunun \u00f6nemi hem tan\u0131kl\u0131\u011f\u0131n etik y\u00fck\u00fcn\u00fc hem de bu tan\u0131kl\u0131\u011f\u0131n sanatsal bir forma b\u00fcr\u00fcnd\u00fc\u011f\u00fcnde kazand\u0131\u011f\u0131 tarihsel haf\u0131zay\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmas\u0131ndan gelir. Susan Sontag\u2019\u0131n \u201cFoto\u011fraf, olup bitenlerle aram\u0131za hem mesafe koyar hem de bizi onlarla y\u00fczle\u015fmeye zorlar\u201d s\u00f6z\u00fcn\u00fc hat\u0131rlat\u0131rcas\u0131na, oyunda foto\u011fraf\u00e7\u0131n\u0131n objektifinin ard\u0131ndaki so\u011fukkanl\u0131l\u0131k ile insani m\u00fcdahale arzusu aras\u0131ndaki \u00e7at\u0131\u015fma sahneye ta\u015f\u0131n\u0131r.<\/p>\n
Kameran\u0131n i\u015fi hayat\u0131 kaydetmek; de\u011fi\u015ftirmek de\u011fil\u2026.<\/p>\n
Foto\u011fraf\u00e7\u0131lar\u0131n kadraja girip be\u011fenmedikleri \u015feyleri de\u011fi\u015ftirmelerini bekleyemezsin. Bizim i\u015fimiz ger\u00e7e\u011fi yakalamak, yeniden sahnelemek de\u011fil. (1. Perde, 2. Sahne)<\/p>\n
Bu oyun, ger\u00e7e\u011fin belgesele \u00f6zg\u00fc donuklu\u011fundan s\u0131yr\u0131l\u0131p sahnede yeniden kuruldu\u011fu bir alan yaratarak, \u201cg\u00f6r\u00fcnt\u00fclerin yaln\u0131zca yakalanmad\u0131\u011f\u0131n\u0131, ayn\u0131 zamanda yeniden \u00fcretildi\u011fini\u201d savunan kuramsal yakla\u015f\u0131mlar\u0131 da canl\u0131 bi\u00e7imde do\u011frular. Sava\u015f anlar\u0131nda \u00e7ekilen foto\u011fraflar\u0131n kitaplarda derlendi\u011fi, m\u00fczelerde sergilendi\u011fi ve hatta video oyunlar\u0131na ilham verdi\u011fi d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcnde, oyundaki her sahne, g\u00f6r\u00fcnt\u00fclerin nas\u0131l k\u00fclt\u00fcrel bir haf\u0131zaya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc g\u00f6steren birer prova niteli\u011fi ta\u015f\u0131r. Bu ba\u011flamda eser, belgesel ger\u00e7ekli\u011fin kurgusal alanda yeniden anlam kazanmas\u0131na ili\u015fkin estetik tart\u0131\u015fmalara sahnede, ete kemi\u011fe b\u00fcr\u00fcnm\u00fc\u015f bir \u00f6rnek sunar. Dahas\u0131, T\u00fcrkiye\u2019nin hemen yan\u0131 ba\u015f\u0131nda y\u0131llard\u0131r s\u00fcren \u00e7at\u0131\u015fmalar\u0131n varl\u0131\u011f\u0131, oyunun yaln\u0131zca evrensel bir meseleye de\u011fil, ayn\u0131 zamanda co\u011frafi ve duygusal olarak bize \u00e7ok yak\u0131n bir yaraya dokundu\u011funu hissettirir.\u201d<\/p>\n
Dekor tasar\u0131m\u0131n\u0131 Bar\u0131\u015f Din\u00e7el\u2019in, kost\u00fcm tasar\u0131m\u0131n\u0131 Ahsen Nur Yaman\u2019\u0131n, \u0131\u015f\u0131k tasar\u0131m\u0131n\u0131 Fatih Mehmet Haro\u011flu\u2019nun, efekt tasar\u0131m\u0131n\u0131 Metin K\u00fc\u00e7\u00fcky\u0131lmaz\u2019\u0131n, g\u00f6r\u00fcnt\u00fc tasar\u0131m\u0131n\u0131 Emre Turgayl\u0131\u2019n\u0131n yapt\u0131\u011f\u0131, foto\u011fraflar\u0131n\u0131 Ahmet \u00c7elikba\u015f\u2019\u0131n \u00e7ekti\u011fi oyunda\u00a0Mert Tan\u0131k, Murat Co\u015fkuner, Pervin Ba\u011fdat, Sevil Ak\u0131\u00a0rol al\u0131yor.<\/p>\n
Oyun,\u00a010-13 Aral\u0131k 2025 tarihleri aras\u0131nda M\u00fcze Gazhane Prof. Dr. Sevda \u015eener Sahnesi\u2019nde.<\/p>\n
\u0130yi seyirler\u2026<\/p>\n
\u00a0<\/p>\n
\u00a0<\/p>\n
Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"
\u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131\u00a0Donald Margulies\u2019in yazd\u0131\u011f\u0131,\u00a0Irmak Bah\u00e7eci\u2019nin \u00e7evirdi\u011fi,\u00a0Mehmet Ergen\u2019in y\u00f6netti\u011fi “\u00d6ylece Durur Zaman” oyununu seyirciyle bulu\u015fturuyor<\/p>\n","protected":false},"author":1,"featured_media":9564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[306],"tags":[678,2417,3529,4358,418],"class_list":["post-9563","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin","tag-mehmet","tag-oyunda","tag-oyunun","tag-tasarimini","tag-yeniden"],"_links":{"self":[{"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/9563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=9563"}],"version-history":[{"count":0,"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/9563\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/media\/9564"}],"wp:attachment":[{"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=9563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=9563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vansondakikahaberler.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=9563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}